Auto-Tune Artist (formerly Auto-Tune Live) is designed to meet the demanding needs of working musicians, producers, and live sound engineers. It includes all of the advanced real-time pitch correction features of Auto-Tune Pro, and is optimized for low latency performance on stage or in the studio. When you're running Auto-Tune Live to correct your live vocals, the results are smooth, predictable, and totally natural for both you and your audience. Total MIDI control lets you instantly redefine your tuning as you perform There are tons of great ways you can use Auto-Tune Live's advanced MIDI integration to simplify the way you perform. If you or someone in your band plays a digital piano or keyboard, you can easily take the incoming MIDI note information and use it to set Auto-Tune. Auto-Tune Pro 2020 full offline installer setup for PC 32bit/64bit Auto-Tune Pro is the most complete and advanced edition of Auto Tune for Windows PC. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing.
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With the release of Max 7, Cycling ‘74 introduced a number of new capabilities to the venerable visual programming language. Among the many innovations are a several objects and devices that offer new possibilities in real-time intonation, pitch and time correction. Since Max for Live (as of Live 9.2) is based on Max 7, we wanted to highlight some of the new devices Cycling ‘74 introduced with Max 7 in the form of this convenient, free Pack for all Max for Live users.
Max 7 Pitch and Time Machines includes the following devices, grouped by category:
Classic Player – A standard stereo/dual-mono sample player. This device uses the groove~ object without pitch/time corrections. It features the basic patch structure used in some other more complex examples.
PitchTime Player – A stereo/dual-mono sample player with pitch and time correction. This device introduces some settings which control the pitch and time correction feature.
PitchCorrect Player – A stereo/dual-mono sample player with pitch and formant correction. This device introduces some settings which control pitch and formant correction.
Synced Player – A stereo/dual-mono sample player synced to transport. This device uses the time/pitch correction feature of the groove~ object in order to play in sync with Max or Live's transport.
Bit Player – A sequence-able sample player, synced to transport. This device allows for re-ordering sample playback in sync with Max or Live's transport.
Sampler Instrument – A polyphonic sampler instrument with time-stretching. This device uses the time/pitch correction feature of the groove~ object in a MIDI instrument structure. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Simple Pitch Shifter – A simple stereo pitch shifter. This device uses the pitchshift~ object to perform sound transposition.
Pitch&Vibrato – Stereo pitch shifter with vibrato. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato.
Pitch&Echo – Stereo pitch shifter with vibrato & feedback. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato. Additionally, the device inserts the pitch transposer into a delay line to create the famous 'harmonizer' sound.
Dual Harmonizer – A dual-mono pitch shifter with vibrato and feedback. This device uses the pitchshift~ object to perform sound transposition. It is similar to the Pitch & Echo device, except that the stereo echo effect is split into two independent mono delay lines, so that each audio channel can be treated separately.
Multi Harmonizer – 10 notes/20 voices pitch shifter. This device uses the pitchshift~ object in a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Pitch Tracker – This device uses the retune~ object to perform some pitch tracking from monophonic input sound. The detected pitch can be monitored using a simple monophonic synthesizer. The estimated pitch and velocity are transformed into MIDI notes, which can be sent to other devices using the MIDI outlet when the device is used in Max. In Live, we use a special MIDI-side-chaining device, called 'Max MIDI Receiver,' in order to catch MIDI data from other devices such as the present one.
Mono Vocoder – A dual-mono vocoder. This device uses the retune~ object to force a monophonic signal to a given pitch, thus acting like a vocoder device. Pitch correction can be tweaked with some dedicated parameters, according to the type of sound that is processed.
Poly Vocoder – 10 notes/20 voices vocoder. This device is similar to the Mono vocoder device, but uses a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Autotuna – A scale-based microtonal auto-tuner that can use Scala files. This device uses the retune~ object to tune the audio to a given scale. Scales can be either entered by hand, or loaded from Scala files – a file format for musical tunings that is a standard for exchange of scales. Learn more about Scala.
Microtuner – A table-based microtonal auto-tuner that can use Scala files. This device is similar to the Autotuna example device, except that scales are entered using a graphic function whose shape can be curved, thus providing some unexpected pitch scales.
Max MIDI Sender & Max MIDI Receiver – In Live, audio and MIDI tracks don't communicate any MIDI data to each other. However, in some cases sending MIDI data to an audio effect might be useful: for instance, if you'd like to send a MIDI chord to a vocoder or harmonizer device using a MIDI keyboard.
|Developer||Antares Audio Technologies|
|Type / Tags|
|Copy Protection||Dongle (PACE iLok Smart Key)|
Auto-Tune Live features genuine Antares Auto-Tune technology optimized for real-time pitch correction or creatively modifying the intonation of a performance. Like all members of the Auto-Tune family, Auto-Tune Live can correct the pitch of vocals and other solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance, as well as create the iconic Auto-Tune Vocal Effect.
Thanks to its ultra-low latency, Auto-Tune Live allows virtually instant response in performance or when tracking in the studio. And with its MIDI control capabilities, you can control all of Auto-Tune Live's key performance parameters in real time, from any MIDI controller or pre-recorded MIDI track, for the ultimate in creative real-time pitch processing.
Auto-Tune Live key features include:
Auto-tune Live Midi Control
- Ultra low-latency performance for virtually instant response on stage or when tracking in the studio.
- Real-time MIDI control of Auto-Tune Live's key performance parameters.
- MIDI control of target notes that lets you define target pitches in real-time during performance.
- A Humanize function for pitch correction that is even more natural and realistic.
- Natural vibrato control that lets you modify (in real time) the depth of any vibrato that is present in the original performance.
- Formant correction and Antares' unique Throat Modeling technology for unmatched creative control of vocal timbre.
- Superior pitch tracking and correction with Antares' second-generation Evo Voice Processing Technology.
- and much more..
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Wondering what the differences are? Click here to compare the key features of Auto-Tune EFX 2, Auto-Tune Live and Auto-Tune 7.
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