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If you’re looking for Autotune Vst or the way to download Antares Autotune free then you came to the right place! In this post, we explained how to download autotune vst for free.
- Auto-tune Hardware
- Auto Tune For Live Performance
- How To Use Auto-tune Live
- Auto Tune Live Download
- Auto Tune Live Universal Audio Player
Auto-Tune by Antares Audio Technologies (@KVRAudio Product Listing): Auto-Tune is a multi-platform plug-in that corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance with audio quality so pristine that the only difference between what goes in and what comes out is the. Universal Audio is the world’s leader in Thunderbolt audio interfaces, analog recording hardware, and UAD audio plug-ins. Explore products and shop now. May 12, 2019 Because of this, pick up Auto-Tune if you want to achieve a tuned vocal effect for a live concert or if you’re working with artists who want to hear the effect of Auto-Tune working as they’re singing. Universal Audio even offers a UAD version of Antare’s Auto-Tune for use with their Apollo interfaces. May 16, 2017 In this video, producer/songwriter Jess Jackson (Chris Brown, Nicki Minaj), shows you how to use UAD Antares Auto-Tune Realtime Plug-In on vocals. Nov 14, 2018 SynthMaster One kv331 Audio 1.3.4 32-bit and 64-bit (VST) Windows 8 and 10 Instructions: Just run the installer. Direct Download (359MB) January 13, 2020 21. IMPORTANT: To activate Auto-Tune Access, Auto-Tune EFX+, Auto-Tune Pro, or Auto-Key software, instead follow their instructions. Getting started In this guide, we’ll show you how to activate, download, and install Antares software.
For modifying different parameters of the audio signal, we have thousands of devices and software. These audio processing units like audio editors and many others have different application area. Also, they will alter either the digital or analog sound wave parameters.
Adding effects to the audio signals is one thing for which many useful devices exist. For examples, these effects include reverb, echo, noise canceling, filter, phaser, equalization and for creating many more effects.
This Autotune Evo software by Antares also provides Pitch correction VST for correcting the pitch and making it uniform across the audio signal.
Here are the few unique features of Antares Autotune VST Plugin:
- A New, Streamlined User Interface
- Classic Mode
- Automatic Key and Scale Detection
- Audio Random Access
- MIDI Parameter Control
- Auto-Tune Pitch Correction and Vocal Effect
- Graphic Pitch Editing
- Adjust Retune Speed, Vibrato, and Throat on Individual Notes
Download Antares Autotune 8 / VST Plugin
Recording music was quite an overwhelming task during 70’s since to get a smooth vocal intonation; the singer has to sing the song multiple times.
To fix this problem, the sound engineers invented a few devices, but they got the actual achievement only after the discovery of Auto-tune. Auto-Tune serves as the Pitch recorder and corrector highly used during music recording and live music performances. Fabricated by Antares Audio Technologies, Auto-tune launched for the first time in 1997.
With Auto-tune the fluctuating pitches and the lousy note of the singers while performing in the live music concerts is not a problem anymore.
For that matter, it shifts the audio tone to the nearest semitone which corrects the off-pitch notes of the vocal tracks. Additionally, it works when there is a need for distortion in the rising and lowering pitch of songs.
Auto-Tune can use as a plugin hosted on DAW during the studio recording, or it can work as a standalone device during live performances.
Versions of Antares Auto-Tune
After its launch in 1997 till now, Auto-Tune kept updating its features. Last year it launched its 8th version called Auto-Tune 8 which got quite an appreciation from the professional musicians.
Auto-Tune 8 acquire the best features which make it working in the Graphic mode and Automatic mode. Also, its Low Latency Mode offers excellent pitch correction for high-quality sound during the live performances.
One can download the Auto-Tune licensed version from its official site in just a $399. There is an option of a free trial which will be valid for a few hours.
How Antares Autotune VST Works?
For the detailed knowledge of the Auto-Tune working, you may watch out for various tutorials present online. On the whole, it’s about selecting the right reference point for the music note or scale and the derivation rate for modulation.
You may adjust the derivation rate at times so that you receive a clean and seamless flow of sound. There is no limitation when it comes to the type of music it can edit. No wonder, it is the most widely accepted and used for getting perfect music.
Read more:Soundcloud To Mp3 – Soundcloud Downloader
The upgrade in its features for time correction which makes the natural pitch correction. Furthermore, it has now Flex-Tune correction technology that helps musicians to extend their creativity.
It also provides with some more tools like formant correction and Vibrato Controls. Besides this Throat Modelling technology and the Humanize function are also its part.
Talking about the Humanize function, it controls the short notes distortion along with preserving the sustained notes for natural pitch variation.
Auto-Tune VST Plugin used by all the famous artists
Auto-Tune plugins will run correctly on various operating systems which includes Windows, Mac OS, and Linux. The world-wide artists like Snoop Dogg, Lil Wayne, T-Pain, Kanye West, Travis Scott, Lady Gaga, Future, Lil Uzi Vert and Migos use it during live performing or recording.
However, the software also got criticism and backlash in 2009 in the name of hindering uniqueness of every artist vocal. But, then many artists supported it by stating its enormous capabilities of enhancing creativeness in hip-hop and R&B music.
Antares Auto-tune 8 Video Tutorial
- Signal Processors >Pitch-shifters
Is it really possible to carry out studio-quality pitch-correction in real time? Waves think so..
Love it or loathe it, automated pitch-correction is here to stay. Antares’ Auto-Tune first made it possible, and has become so well-known that its name is often used generically to describe all such tools, but there are plenty of other software-based pitch-correction tools out there. However, most are primarily intended for studio use, where they will be applied as post-recording processes.
For live performance there have, of course, been a number of dedicated hardware devices that offer pitch-correction in real time, including the now-discontinued Antares ATR-1 and various TC-Helicon products. It’s easy enough to see two sides to the desirability of such a tool in a live setting and I’ll leave you to have that discussion amongst yourselves but, in a world where the computer sits centre stage in so many music-making environments, the user control and flexibility offered by software-only solutions could have obvious benefits in a live context too.
Well, Antares obviously think so, because they have a version of Auto-Tune called Auto-Tune Live targeted at precisely this role, and Waves have now joined the roll-call with their own take on the genre: Tune Real-Time. Providing the rest of your system doesn’t create a processing bottleneck somewhere along the line, Tune Real-Time is designed to operate with sufficiently low latency to be fast enough for even the most demanding live-performance situation. And, as I’ll get to in a minute, the plug-in can also be used as a standard post-recording pitch-correction tool.
Holding A Tune
Waves are not new to the business of pitch-correction. Indeed, SOS reviewed the original Waves Tune way back in the November 2006 issue. While Tune can carry out pitch-correction automatically as well as manually, like the Melodyne plug-in it requires your audio to be ‘tracked’ into the plug-in before this can take place. However, faster computer systems mean that, 10 years on, real-time pitch-correction with a plug-in is now a viable prospect.
Once installed via the slick Waves Central licence management system, how you configure Tune Real-Time will depend upon your type of use. For routine automatic pitch-correction of previously tracked vocals, you would, of course, simply insert the plug-in on your vocal track and get cracking with tweaking the control set to suit. However, if you are interested in live pitch-correction — whether that’s during tracking in the studio or for live performances — a different arrangement is going to be required.
While the specifics will undoubtedly depend upon your exact hardware/software configuration, Tune Real-Time is going to need to be inserted in your signal flow in a way that allows the engineer (studio or front-of-house) and the singer to monitor through it in real time. As when applying any software processing to a live audio signal, that means a return journey for the audio through your computer system and back out to your monitor setup, making low latency all round an obvious requirement.
Waves can’t do anything about latency introduced elsewhere within your system, but by reporting zero latency to the host, Tune Real-Time ensures that no delay compensation is applied on its account. Its actual latency varies between 0 and 4 ms depending on the frequency of the current note. Different performers have differing sensitivities to audio latency. In order to achieve a more comfortable monitoring experience, I found myself having to change the buffer sizes for my audio interface from 256 samples to 64 samples in my 44.1kHz/24-bit project. Smaller buffer sizes do, of course, mean a higher system load, but that may be a price you have to pay in order to prioritise the pitch-corrected vocal monitoring. (Alternatively, by running Tune Real-Time on one of Waves’ SoundGrid servers, you could eradicate the round trip through your computer and DAW.)
The control set allows you to select a voice type to focus the pitch-correction within a certain note range.
You can define your own scale using the keyboard display, and the plug-in includes a huge number of preset scale types.The user interface shares many common elements with that of the studio-orientated Waves Tune and, indeed, other pitch-correction tools. For example, the bottom third of the panel provides scale/key selection and a choice of voice types — which, in turn, set a default note range within which pitch-correction will be applied. The small MIDI Input/Keyboard panel allows you to give your singer a reference tone or use an external MIDI keyboard to set target notes. Other parameters in the control set can also be controlled via MIDI, including the Speed parameter, so you can, for instance, apply ‘robotic’ pitch-correction just to a few notes as a special effect.
The central keyboard strip provides a visual guide to the notes being detected as the plug-in does its thing. As well as letting you drag the left/right boundaries of the active note range, this includes an interesting additional feature whereby clicking above each note allows you to toggle its behaviour in the pitch-correction process. This includes modes for ‘legal’ (grey), ‘illegal’ (pink with a ‘-‘ icon) or ‘bypass’ (grey with an ‘x’; the note is legal but no pitch-correction is applied); but there are also two other ‘illegal’ options, both with pink arrow icons that can point to notes above or below the current note. If the pitch-detection algorithm identifies such a note, it will force the correction in the direction indicated by the arrow. This is a useful feature, as it allows you to handle the correction of specific notes in a very particular fashion.
The keyboard section allows you to define how the pitch-correction behaves for individual notes.
For example, a singer might end up consistently flat with notes at the top of their range or sharp towards the bottom of it. Tune Real-Time can accommodate that and I could imagine that in a live setting, where an FOH engineer gets to know a specific singer’s strengths and weaknesses night after night, this could offer very precise control. You can set these five different correction states either on individual notes or, with the Group Octaves button engaged, for every octave.
House Of Correction
The topmost panel contains both familiar and less familiar elements. Familiar is the large arc-shaped pitch-correction display that shows the amount of correction being applied in real time. Also familiar is the Speed dial, which controls just how quickly pitch-correction is applied at the onset of a note. Values in the 40-60 ms range produce fairly aggressive correction, while slower speeds provide a more transparent result. And, yes, by setting it to zero you can get the ‘Cher effect’.
The Correction subpanel allows you to adjust just how tightly the pitch-correction is applied. Backing off from 100 percent here does help in terms of keeping the result transparent. If you want something more in the special effects category, you can also turn formant correction off; in conjunction with MIDI control of the notes, you can then move towards Micky Mouse or Darth Vader if you so wish.
The Note Transition controls provide interesting additional options for handling the pitch-correction process across note boundaries.
Perhaps more interesting are the Note Transition and Tolerance controls. While the Speed control deals with the first note of a legato phrase, in the Wave Tune algorithm (in both its real-time and non-real-time formats), the Note Transition control influences the speed of correction applied as one note transitions into another during a phrase. In addition, the Cents and Time controls provide further influence over note transitions, allowing you to tolerate wider pitch drift before correction kicks in. OK, so the pitch-correction is still automatic, but these additional options do seem to offer an extra level of control.
Rather neatly, you can also dampen or exaggerate any natural vibrato present in the vocal (although you can’t add artificial vibrato). This is actually well worth experimenting with as its on/off status, and the slider value, interacts with the pitch-correction process; if you find yourself with the occasional unwanted ‘pitch flutter’ on a sustained note, tweaking these settings can sometimes tame it.
The Real Thing?
If Waves Tune Real-Time is to be considered a success, it must be able to satisfy on two obvious points. First, is the processing actually fast enough for real-time use? Second, is the quality, flexibility and stability of the automatic pitch-correction processing up to the job?
While my own testing was studio-based, in terms of the first question, I think the answer is a very clear yes. OK, in a recording session, I’m not sure I’d generally want to track with pitch-correction in my signal chain but, if it is something you need — perhaps as a special effect or to provide a bit of a comfort blanket to an insecure singer — Tune Real-Time can do it. The trick, both in the studio and in a live performance context, is to ensure that the rest of your monitoring signal chain doesn’t scupper the plug-in’s efficient, low-latency operation. In a mission-critical live context, that might mean putting Tune Real-Time’s needs at the top of your performance priority list.
In terms of the second question, as an automatic pitch-correction tool, Tune Real-Time is most certainly competitive with the other leading contenders. I tested it alongside Antares Auto-Tune Live; both were capable of meeting the need for speed required for real-time use and, with the obvious qualification that I’ll get to next, both delivered very good results. What’s more, the Waves control set — and in particular the note transition features and ability to configure the direction of pitch-correction on individual notes — makes for a lot of flexibility. Yes, you are still in the hands of an automated correction process, but these controls give you useful ways to influence the operation of that process.
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And that obvious qualification? Automatic pitch-correction will not turn a Friday night karaoke singer into a Christina Aguilera or a Michael Bublé; this technology is impressive, and in many ways remarkable, but is not a substitute for actual vocal skills. If you set Tune Real-Time to fast pitch-quantise, even a pub singer might get away with a few bars of ‘special Cher effect’ but, if it’s a more natural performance you are seeking, Tune Real-Time will not rescue someone who really can’t sing.
That is, of course, a very good thing and, in one sense, it means the whole argument about pitch-correction in a live-performance context is still a bit moot. If your singer has his or her skills down, yes, software like Waves Tune Real-Time can support and enhance their performance, and perhaps help compensate for situations where poor monitoring or tiredness can make even a good singer’s pitch a little off. In the studio, it is perhaps possible to do more to overcome a singer’s limitations, but this would really require the offline processing options provided by the likes of Melodyne or the full version of Auto-Tune. However, it is worth emphasising that Tune Real-Time is also a great option in the studio providing all you need is automatic pitch-correction. Don’t expect miracles of this or any automatic pitch-correction tool, but if you are starting with a solid singer, Waves Tune Real-Time is more than capable of tidying up any loose edges that might occur.
From a software perspective, the obvious competition is Antares’ Auto-Tune Live, currently costing about the same as Tune Real-Time at its full price.
There are also hardware alternatives, and in particular, TC-Helicon have developed a number of products aimed at live performance that include some pitch-correction options. A current example is the Mic Mechanic footpedal: this includes chromatic pitch-correction and is competitively priced, but does not provide the flexibility or level of user control offered by Tune Real-Time.
- Latency of the plug-in is low enough for live use, providing the rest of the system configuration is up to the task.
- For an automated process, it offers plenty of user control.
- The quality of the automated pitch-correction processing is certainly a match for the obvious competition.
- Requires a low-latency computer/audio system for ‘live’ real-time use.
Auto Tune For Live Performance
If you don’t need the option of manual pitch editing, Waves Tune Real-Time is a very capable automatic pitch-correction tool for studio use and, given the low latency of the plug-in itself, a viable option for use in a live performance context — providing you are dealing with a competent singer in the first place.
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Auto Tune Live Universal Audio Player
- Waves Tune Real-Time v220.127.116.11 Build 87243.
- Apple iMac with 3.5GHz Intel Core i7 CPU and 32GB RAM, running Mac OS 10.10.5, with Soundcraft Signature 12MTK mixer/interface.
- Tested with Steinberg Cubase Pro 8.5.